The Reflection of Alienation in the Selected Plays of Eugene O'Neill: A Comprehensive Inquiry

Abstract

This academic article offers a comprehensive exploration of the theme of alienation within the
dramatic works of Eugene O'Neill, a prominent American playwright. Through a meticulous
analysis of specific plays, the research seeks to unravel the multifaceted expressions of
alienation embedded in O'Neill's dramatic corpus. The study is grounded in a rigorous
examination of interpersonal dynamics, societal frameworks, and the existential challenges
confronted by the playwright's characters. By delving into the intricacies of these elements, the
research aims to provide insights that contribute to a deeper comprehension of the
psychological and sociocultural dimensions of alienation in O'Neill's plays.
The investigation into O'Neill's portrayal of alienation extends beyond surface-level
observations, delving into the complex layers of his characters' relationships and the broader
societal context within which these dramas unfold. By interrogating the nuanced manifestations
of alienation, the study illuminates O'Neill's profound insights into the human condition,
shedding light on the ways in which his characters grapple with isolation and disconnection.
Through a synthesis of textual analysis and contextual exploration, the article aspires to enrich
scholarly discussions on O'Neill's contributions to the exploration of alienation in the realm of
American drama. Ultimately, this research strives to enhance our understanding of the intricate
tapestry of alienation as a recurring motif in O'Neill's compelling and thought-provoking
theatrical works.